A gruff-looking man with a graying beard and long, knotty hair pulled back in a pony-tail, topped with a New York Yankees fisherman’s hat; a raggedy hooded gray robe fastened with a rope, a blue bandana dangling from it; a fully-stuffed, olive-drab backpack that looked like it could’ve been filled with crushed aluminum cans and plastic bottles; a soft case for a bass guitar slung over his shoulder.
If I didn’t know who he was, I would’ve thought he was a bum. But it’s Father Stan Fortuna, who with the prolific Father Benedict Groeschel, was one of the founders of the Franciscan Friars of the Renewal.
He got up on stage and started jamming on his bass, rapping songs of praise with his reggae-tinged Bronx accent, rambling almost, like he was making stuff up as he went along. Later that evening, he reemerged draped with a humeral veil and led Adoration–waddled about with the monstrance, with awkward gestures and bows, and at one point picked up an acoustic guitar to sing a song.
And immediately, I thought: Wow, what a lack of reverence for a man of God, a priest!
And immediately, I took it back. What I mistook for irreverence was in fact such profound piety that those who first see it will not get it. I let appearances deceive me.
Father Stan Fortuna is a living saint, with the Holy Spirit flowing abundantly through him, putting the words on his tongue and the notes in his fingertips. When he bowed before the King of the Universe, his head touched the dirty ground. And when he gazed upon the Lord, sang to the Lord, he did so with such love, such intimacy. I did not know that kind of love–that fire–but I knew I wanted it, too.
We have two CDs in our store by Father Stan, showcasing his musical breadth and zeal. All the proceeds from these sales go towards the friars’ apostolic mission of serving the poor.












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